Regina Bendix
Universität Göttingen, Germany
Ladda ner artikelIngår i: Inter: A European Cultural Studies : Conference in Sweden 11-13 June 2007
Linköping Electronic Conference Proceedings 25:7, s. 51-58
Publicerad: 2007-11-27
ISBN:
ISSN: 1650-3686 (tryckt), 1650-3740 (online)
This paper is an only slightly enlarged version of the plenary paper prepared for Inter: A European Cultural Studies Conference in Sweden; by ACSIS; Norrköping 11-13 June 2007. On the basis of examples from historical docu-soaps and contemporary art involving reenactment; the interweaving of cultural knowledge production and cultural practices in the realm of experiencing and/or consuming the past are shown. Building on Kirshenblatt-Gimblett’s concept “meta-cultural production”; the term meta-historical productions is suggested and differentiated from a more politically motivated “culturalization” also present in heterogeneous societies. The paper further postulates that the experiential motivations inherent to phenomena such as reenacting are a major reason for the growing spectrum of meta-historical productions. They go; however; hand in hand with legitimating bureaucratic regimes such as heritage programs or efforts to bestow copyright on them; thus seeking to harness such phenomena for political; legal and economic purposes.
Abrahams; Roger. Toward an Enactment-Centered Theory of Folklore. In: Bascom; William. The Frontiers of Folklore. Washington: AAAS; 1977; pp. 79-120.
Bausinger; Hermann. Volkskunde in der technischen Welt. 1961.
Bausinger; Hermann. Ungleichzeitigkeiten. Von der Volkskunde zur empirischen Kulturwissenschaft. In: Berking; Helmut and Richard Faber; eds. Kultursoziologie. Würzburg; 1989.
Bendix; Regina. Der gespielte Krieg. Zur Leidenschaft des Historic Reenactment. In: Institut für Europäische Ethnologie der Universität Wien; ed. Volkskultur und Moderne. Europäische Ethnologie zur Jahrtausendwende. Festschrift für Konrad Köstlin.. Wien 2000; pp. 253-268.
Bloch; Ernst. Erbschaft dieser Zeit. Zürich; 1935.
Bruner; Edward. Culture on Tour. Ethnographies of Travel. Chicago 2005.
Cantwell; Robert: Ethnomimesis. Folklore and the Representation of Culture.Chapel Hill: The University of North Carolina Press; 1993.
Csikszentmihalyi; Mihaly. Flow. New York: Harper and Row; 1991.
Fenske; Michaela. Geschichte wie sie Euch gefällt. Historische Doku-Soaps als spätmoderne Handlungs-; Diskussions- und Erlebnisräume. In: Meyer; Silke and Mohrmann; Ruth E.; eds.: Referate der Hochschultagung der dt. Gesellschaft für Volkskunde; Münster; 2006. In print.
Hemme; Dorothee; Markus Tauschek and Regina Bendix; eds.: Prädikat Heritage: Wertschöpfung aus Kulturerbe. Münster; LIT Verlag; in press.
Kaschuba; Wolfgang. Kulturalismus oder Gesellschaft als ästhetische Veranstaltung? In: Ästhetik und Kommunikation 29(1998):93-98.
Kaschuba; Wolfgang. Historizing the Present? In: Ethnologia Europaea 26(1996):123-136.
Kirshenblatt-Gimblett; Barbara: Intangible Heritager as Metacultural Production. In: Museum 56; Nr. 1-2 (2004); S. 52-65.
Kirshenblatt-Gimblett; Barbara. World Heritage and Cultural Economics. In: Karp; Ivan/Kratz; Corinne; Hg.: Museum Frictions: Public Cultures/Global Transformations. In press; viewable on: http://www.nyu.edu/classes/bkg/web/heritage.pdf
Klot; Kristina v. Aufklärung in Sicht. In: Mobil (Magazine of the Deutsche Bundesbahn) 5; 2007; pp. 88-91.
Köstlin; Konrad. Passion for the Whole. Journal of American Folklore; 110(1997):261-271 (German original 1995).
Magliocco; Sabina. Witching Culture. Philadelphia; University of Pennsylvania Press; 2004.
Taussig; Michael. Mimesis and Alterity. New York: Routledge; 1993.