Published: 2005-12-30
ISBN:
ISSN: 1650-3686 (print), 1650-3740 (online)
Bennett; Andy (2001): Cultures of Popular Music. Maidenhead: Open University Press.
Bossius; Thomas (2003): Med framtiden i backspegeln: black-metal- och transkulturen: ungdomar; musik och religion i en senmodern värld. Diss. Göteborg: Diadolos.
Brown; Charles M (1995): ”Apocalyptic Unbound: An Interpretation of Christian Speed/Thrash Music”.Opublicerat konferenspaperutkast (citerat med tillstånd av författaren). Tillgänglig på http://www.geocities.com/cbrown965/paper2.html. 12. 5 2005
Christe; Ian (2004) Sound of the Beast. The Complete Headbanging History of Heavy Metal. New York: Harper Entertainment.
Forbes; Bruce David (2000) ”Inroduction”; i Bruce David Forbes och Jeffrey H. Mahan (red.); Religion and Popular Culture in America. Berkeley: California University Press.
Frith; Simon (1996): Performing Rites. On the Value of Popular Music. Oxford: Oxford University Press.
Glanzer; Perry; L (2003): “Christ and the Heavy Metal Subculture. Applying Qualitative Analysis to the Contemporary Debate about H.
chard Niebuhr’s Christ and Culture”; i Journal of Religion and Society vol 5. 2003. Tillgänglig på http://moses.creighton.edu/JRS/2003/2003-7.html 20. 4 2005. Rabbi Myer and Dorothy Kripke Center for the Study of Religion and Society. Creighton University.
Harris; Keith (2001): Transgression and Mundanity: The Global Extreme Metal Music Scene. Diss. Goldsmiths College. University of London.
Howard; Jay R & Streck; John M (1999): Apostles of Rock: The Splintered World of Contemporary Christian Music. Lexington: Kentucky University Press.
Häger; Andreas (2003): ”Christian Rock Concerts as a Meeting between Religion and Popular Culture”; i Tore Ahlbäck (red.) Ritualistics. Scripta Instiuti Donneriani Aboensis XVIII. Turku: The Donner Institute for Research in Religious and Cultural History. s.
Häger Andreas (2001): Religion; rock och pluralism: en religionssociologisk studie av kristen diskurs om rockmusik. Diss. Uppsala: Uppsala University Press.
Selander; Inger (1980): “O hur saligt att få vandra”. Motiv och symboler i den frikyrkliga sången. Diss. Stockholm:Gummessons Bokförlag.
Walser; Robert: 1993. Running with the Devil. Power; Gender and Madness in Heavy Metal Music. Hanover: Wesleyan University Press.
Weinstein; Deena (1994): ”Expendable Youth: The Rise and Fall of Youth Culture“; i Jonathon S. Epstein (red.) Adolescents and their Music. New York: Garland Publishing. s. 67-85
Weinstein; Deena (1991): Heavy Metal. A Cultural Sociology. New York: Lexington Books.
Discografi
Admonish: http://www.admonish.org/ 28. 4 2005
Bleakwail: Songs of Sorrow EP. Bleakwail 2002.
Blooded: http://bloodedbrutality.cjb.net/ 28. 4 2005
Crimson Moonlight:Songs From The Archives: Eternal Emperor. Rivel Records 2003.
From Ashes: Dream of Eternity (demo). From Ashes 2003.
----------------: Promo. From Ashes 2004.
Mirador: The Azrael Tales. Rivel Records 2005.
Northern Flame: http://northernflame.tk/ 28.4 2005
Pantokrator: Blod. Rivel Records 2003.
---------------: Even Unto The Ends Of The Earth (demo). Pantokrator 1998.
Renascent: Demon’s Quest. (MCD) Renascent 2004.
Intervjumaterial
E-post korrespondens/intervju med Johannes Jonsson 11. 1 2005- Folkloristiska arkivet vid Åbo Akademi. IF 2005/5:1
Citations in Crossref